24
June
–
24
June
7.30pm
7.30pm
Orpheus and Euridice: Preview Concert
Orpheus and Euridice: Preview Concert
FIGURE with Hugh Cutting
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Following the success of their recent production MOURN with Alkanna Graeca, FIGURE, in collaboration with Refound, return to present a preview of their new production, Orpheus and Euridice.
In the ancient Greek legend, Orpheus travels to the underworld to rescue his lost love, Euridice. He is granted the chance to bring her out of the afterlife and back to the world, but on the condition that he does not look back at her while he leads her. At the final moment, Orpheus can no longer resist the temptation, and turns to look at Euridice, tragically losing her again, forever. The story has been told and retold through history, and has been a particular source of inspiration to composers - Orpheus is a musician, and he is able to persuade the gods to let him find his dead lover because his sorrowful songs are so beautiful. Christoph Willibald Gluck’s working of the tale, his 1762 Orfeo ed Euridice, marks a significant moment in the history of opera: a departure from a form in which a narrative serves as a vehicle to showcase music and vocal athleticism, to one which puts the music in service of the drama.
In the spirit of Gluck’s reform, FIGURE is reworking his opera into a new chamber version for mixed ensemble. By contemporising the music with a modern sound palette, the opera is no longer an artefact of the 18th century but the modern drama which Gluck prioritised.
This event is a preview starring Hugh Cutting, winner of the 2025 International Opera Rising Star Award and the first countertenor to win the Kathleen Ferrier Award, and is created by Laura Hounsell, winner of the 2025 Nicky Creed Award at Garsington Opera. The full production will be performed in November.
Past work from FIGURE at Stone Nest includes: a staged Pergolesi Stabat Mater with new music from Alex Mills, starring Dame Emma Kirkby, praised in The Guardian for it’s “timeless directness and simplicity”; Rhythm of the Seasons, Vivaldi’s Four Seasons recomposed as a percussion concerto, just recorded with Delphian Records for release in 2027, praised in The Times as “High-risk, high-reward”; and SIDE BY SIDE, performances of baroque and contemporary music, for which FIGURE was praised in the Guardian as "unequivocally impressive, its sound invigorating, its commitment absolute”.
Photography credit: Matthew Johnson
Following the success of their recent production MOURN with Alkanna Graeca, FIGURE, in collaboration with Refound, return to present a preview of their new production, Orpheus and Euridice.
In the ancient Greek legend, Orpheus travels to the underworld to rescue his lost love, Euridice. He is granted the chance to bring her out of the afterlife and back to the world, but on the condition that he does not look back at her while he leads her. At the final moment, Orpheus can no longer resist the temptation, and turns to look at Euridice, tragically losing her again, forever. The story has been told and retold through history, and has been a particular source of inspiration to composers - Orpheus is a musician, and he is able to persuade the gods to let him find his dead lover because his sorrowful songs are so beautiful. Christoph Willibald Gluck’s working of the tale, his 1762 Orfeo ed Euridice, marks a significant moment in the history of opera: a departure from a form in which a narrative serves as a vehicle to showcase music and vocal athleticism, to one which puts the music in service of the drama.
In the spirit of Gluck’s reform, FIGURE is reworking his opera into a new chamber version for mixed ensemble. By contemporising the music with a modern sound palette, the opera is no longer an artefact of the 18th century but the modern drama which Gluck prioritised.
This event is a preview starring Hugh Cutting, winner of the 2025 International Opera Rising Star Award and the first countertenor to win the Kathleen Ferrier Award, and is created by Laura Hounsell, winner of the 2025 Nicky Creed Award at Garsington Opera. The full production will be performed in November.
Past work from FIGURE at Stone Nest includes: a staged Pergolesi Stabat Mater with new music from Alex Mills, starring Dame Emma Kirkby, praised in The Guardian for it’s “timeless directness and simplicity”; Rhythm of the Seasons, Vivaldi’s Four Seasons recomposed as a percussion concerto, just recorded with Delphian Records for release in 2027, praised in The Times as “High-risk, high-reward”; and SIDE BY SIDE, performances of baroque and contemporary music, for which FIGURE was praised in the Guardian as "unequivocally impressive, its sound invigorating, its commitment absolute”.
Photography credit: Matthew Johnson
